Art Chapter
QMRDell Comics was the comic book publishing arm of Dell Publishing, which got its start in pulp magazines. It published comics from 1929 to 1973. At its peak, it was the most prominent and successful American company in the medium.[1] In 1953 Dell claimed to be the world's largest comics publisher, selling 26 million copies each month.[2]
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QMRFree Inquiry is a bi-monthly journal of secular humanist opinion and commentary published by the Council for Secular Humanism, which is a program of the Center for Inquiry. Philosopher Paul Kurtz was the editor-in-chief until he stepped down in 2010, [1] and Tom Flynn (author) is the current editor. Feature articles cover a wide range of topics from a freethinking perspective. Common themes are separation of church and state, science and religion, dissemination of freethought, and applied philosophy. Regular contributors include well-known scholars in the fields of science and philosophy.
Contents [hide]
1 Controversy
2 Columnists
3 Editorial Board
4 References
5 External links
Controversy[edit]
In Free Inquiry's April–May 2006 issue, the magazine published four of the cartoons that had originally appeared in the Danish newspaper Jyllands-Posten and that had sparked violent worldwide Muslim protests. Kurtz, editor-in-chief of Free Inquiry said, "What is at stake is the precious right of freedom of expression". The Borders Group refused to carry this issue in their Borders and Waldenbooks stores because of the cartoons. The reason given by Borders for their decision was not sensitivity to religion but fear of violence.[2]
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QMRSimulacra and Simulation is most known for its discussion of symbols, signs, and how they relate to contemporaneity (simultaneous existences). Baudrillard claims that our current society has replaced all reality and meaning with symbols and signs, and that human experience is of a simulation of reality. Moreover, these simulacra are not merely mediations of reality, nor even deceptive mediations of reality; they are not based in a reality nor do they hide a reality, they simply hide that anything like reality is relevant to our current understanding of our lives. The simulacra that Baudrillard refers to are the significations and symbolism of culture and media that construct perceived reality, the acquired understanding by which our lives and shared existence is and are rendered legible; Baudrillard believed that society has become so saturated with these simulacra and our lives so saturated with the constructs of society that all meaning was being rendered meaningless by being infinitely mutable. Baudrillard called this phenomenon the "precession of simulacra".
"Simulacra and Simulation" breaks the sign-order into 4 stages:
The first stage is a faithful image/copy, where we believe, and it may even be correct, that a sign is a "reflection of a profound reality" (pg 6), this is a good appearance, in what Baudrillard called "the sacramental order".
The second stage is perversion of reality, this is where we come to believe the sign to be an unfaithful copy, which "masks and denatures" reality as an "evil appearance—it is of the order of maleficence". Here, signs and images do not faithfully reveal reality to us, but can hint at the existence of an obscure reality which the sign itself is incapable of encapsulating.
The third stage masks the absence of a profound reality, where the sign pretends to be a faithful copy, but it is a copy with no original. Signs and images claim to represent something real, but no representation is taking place and arbitrary images are merely suggested as things which they have no relationship to. Baudrillard calls this the "order of sorcery", a regime of semantic algebra where all human meaning is conjured artificially to appear as a reference to the (increasingly) hermetic truth.
The fourth stage is pure simulation, in which the simulacrum has no relationship to any reality whatsoever. Here, signs merely reflect other signs and any claim to reality on the part of images or signs is only of the order of other such claims. This is a regime of total equivalency, where cultural products need no longer even pretend to be real in a naïve sense, because the experiences of consumers' lives are so predominantly artificial that even claims to reality are expected to be phrased in artificial, "hyperreal" terms. Any naïve pretension to reality as such is perceived as bereft of critical self-awareness, and thus as oversentimental
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Painting Chapter
QMRThe Horses of Saint Mark, also known as the Triumphal Quadriga, is a set of bronze statues of four horses, originally part of a monument depicting a quadriga (a four-horse carriage used for chariot racing) The horses were placed on the facade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy after the sack of Constantinople in 1204. They remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St. Mark's for conservation purposes, with replicas in their position on the loggia.
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QMRThe Triumphal Quadriga is a set of Roman or Greek bronze statues of four horses, originally part of a monument depicting a quadriga. They date from late Classical Antiquity and were long displayed at the Hippodrome of Constantinople. In 1204 AD, Doge Enrico Dandolo sent them to Venice as part of the loot sacked from Constantinople in the Fourth Crusade.
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Music Chapter
Dance Chapter
QMRA game of ten-pin bowling is divided into ten rounds (called "frames"). In a frame, each player is given two opportunities to knock down the skittle targets (called "pins"). The player rolls the first ball at the pins. If the first ball knocks down all ten pins, it is called a "strike" and the frame is completed. When pins are left standing after the first ball, those that are knocked down are counted and then removed. Then the player rolls a second ball and if all the remaining pins are knocked down, it is called a "spare". There are bonuses for removing all the pins. If there is more than one player scheduled on a lane, play passes to the next player until all players have completed the frame. Then play continues with the next frame. The final or tenth frame of a game may involve three balls. See Scoring below.
The ten pins are usually automatically set by machine into four rows which form an equilateral triangle where there are four pins on a side (Pythagorean Tetractys). The Pythagoreans worshipped the Tetracyst like the Israelites worshipped the Tetragrammaton. There are four pins in the back row, then three, then two, and finally one in the front at the center of the lane. The pins are numbered one through ten, starting with one in front, and ending with ten in the back to the right. This serves to ease communication; one could say that the 4 and 7 pins were left standing. Neighboring pins are set up 12 inches (30 cm) apart, measured from center to center. Due to the spacing of the pins and the size of the ball (about 8.6 inches (22 cm) in diameter), it is impossible for the ball to contact every pin. Therefore, a tactical shot is required, which would result in a chain reaction of pin hitting pin. In an ideal shot, for a right-hander, the ball will contact only the 1, 3, 5 and 9 pins; for a left-hander, the 1, 2, 5 and 8 pins. Brooklyn is when a bowler obtains a strike by throwing the ball into the opposite pocket, known as the Brooklyn pocket. For example, a Brooklyn would occur when a right-handed thrower obtains a strike by throwing a ball into the 1–2 pocket, and similarly a strike occurs for a left-handed bowler throwing a ball into the 1–3 pocket.
The “four-step” approach is most commonly applied, with the right foot slightly ahead of the left at starting position (for right handed bowlers).[24] Longer legs and a faster approach during the third step and downswing will increase the ball speed. Finally, the deliberate acceleration of the arm during downswing is of critical focus. This particular factor is difficult to master, however, because one can easily force the armswing and thus accelerate too quickly or cause the arm to deviate from the natural path.[23]
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QMRFormula racing is any of several forms of open-wheeled single-seater motorsport. The origin of the term lies in the nomenclature that was adopted by the FIA for all of its post-World War II single-seater regulations, or formulae. The best known of these formulae are Formula One, Two, Three and Four. Common usage of "formula racing" encompasses other single-seater series, including the GP2 Series, which replaced Formula 3000 (which had itself been the effective replacement for Formula Two).
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QMRPanhellenic Games is the collective term for four separate sports festivals held in ancient Greece. The four Games were:
Games God Honored Location Prize Frequency
Olympic Games Zeus Olympia, Elis Olive wreath (Kotinos) Every 4 years
Pythian Games Apollo Delphi Laurel wreath Every 4 years (2 years after the Olympic Games)
Nemean Games Zeus, Heracles Nemea, Corinthia Wild celery Every 2 years (2nd and 4th year of Olympiads)
Isthmian Games Poseidon Isthmia, Sicyon Pine Every 2 years
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QMRForms[edit]
There are four basic forms of street performance
"Circle shows" are shows that tend to gather a crowd around them. They usually have a distinct beginning and end. Usually these are done in conjunction with street theater, puppeteering, magicians, comedians, acrobats, jugglers and sometimes musicians. Circle shows can be the most lucrative. Some time the crowds attracted can be huge. A good busker will control the crowd so the patrons do not obstruct foot traffic.
"Walk-by acts" are typically where the busker performs a musical, living statue or other act that does not have a distinct beginning or end and the public usually watch for a brief time. A walk by act may turn into a circle show if the act is unusual or very popular.
"Stoplight performers" present their act right on the crosswalk. while the lights are red. Then, while still red, they walk by the cars to get contributions from drivers and/or passengers. A variety of disciplines can be used in such format (Juggling, BreakDance, even magic tricks). Artists have a very brief/condensed routine. This form is seen more commonly in Iberoamerican countries.
"Café busking" is done mostly in restaurants, pubs, bars and cafes. These venues are popular for busking musicians. Joni Mitchell, Bob Dylan and Joan Baez all used this type of venue early in their careers. Making a living using the piano bar principle (i.e. for tips) is performed using a range of genres, including jazz, rock, and even "light" classical style. Diverse artists like Jimmy Durante and Andrea Bocelli have used this type of performance to earn money. Perhaps one of the most famous of these is Billy Joel, who rose to fame from working in piano bars. His hit song "Piano Man" was written about a six-month stint he did in 1972 at the "Executive Room" piano bar in Los Angeles.
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QMrIn the history of Go in Japan, the Four Go houses were the four academies of Go instituted, supported, and controlled by the state, at the beginning of the Tokugawa shogunate. At roughly the same time shogi was organised into three houses. Here "house" implies institution run on the recognised lines of the iemoto system common in all Japanese traditional arts. In particular the house head had, in three of the four cases, a name handed down: Inoue Inseki, Yasui Senkaku, Hayashi Monnyu. References to these names therefore mean to the contemporary head of house.
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QMRThe mountainous Japanese archipelago stretches 3,000 km north to south off the east of the Asian continent at the convergence of four tectonic plates; it has about forty active volcanoes and experiences about 1,000 earthquakes a year. The steep, craggy mountains that cover two-thirds of its surface are prone to quick erosion from fast-flowing rivers and to mudslides. They thus have hampered internal travel and communication and driven the population to rely on transportation along coastal waters. There is great variety to its regions' geographical features and weather patterns, with a rainy season in most parts in early summer. Volcanic soil that washes along the 13% of the area that makes up the coastal plains provides fertile land and the mainly temperate climate allows long growing seasons, which with the diversity of flora and fauna provide rich resources able to support the density of the population.[1]
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QMRThe Shinkansen (新幹線?, new trunk line) is a network of high-speed railway lines in Japan operated by four Japan Railways Group companies. Starting with the Tōkaidō Shinkansen (515.4 km, 320.3 mi) in 1964,[1] the network has expanded to currently consist of 2,615.7 km (1,625.3 mi) of lines with maximum speeds of 240–320 km/h (150–200 mph), 283.5 km (176.2 mi) of Mini-shinkansen lines with a maximum speed of 130 km/h (80 mph), and 10.3 km (6.4 mi) of spur lines with Shinkansen services.[2] The network presently links most major cities on the islands of Honshu and Kyushu, with services along the newly constructed extension to the northern island of Hokkaido scheduled to commence in March 2016. The nickname bullet train is sometimes used in English for these high-speed trains.
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QMRYasuda zaibatsu (安田財閥) was a financial conglomerate owned and managed by the Yasuda clan. One of the four major zaibatsu of Imperial Japan, it was founded by the entrepreneur Yasuda Zenjirō. It was dissolved at the end of World War II.
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QMRThe zaibatsu were the heart of economic and industrial activity within the Empire of Japan, and held great influence over Japanese national and foreign policies. The Rikken Seiyukai political party was regarded as an extension of the Mitsui group, which also had very strong connections with the Imperial Japanese Army. Likewise, the Rikken Minseito was connected to the Mitsubishi group, as was the Imperial Japanese Navy. By the start of World War II, the Big Four zaibatsu (Mitsubishi, Sumitomo, Yasuda and Mitsui) alone had direct control over more than 30% of Japan's mining, chemical, metals industries and almost 50% control of the machinery and equipment market, a significant part of the foreign commercial merchant fleet and 70% of the commercial stock exchange.[citation needed]
The zaibatsu were viewed with suspicion by both the right and left of the political spectrum in the 1920s and 1930s. Although the world was in the throes of a worldwide economic depression, the zaibatsu were prospering through currency speculation, maintenance of low labour costs and on military procurement. Matters came to a head in the League of Blood Incident of March 1932, with the assassination of the managing director of Mitsui, after which the zaibatsu attempted to improve on their public image through increased charity work.[citation needed]
History and development[edit]
Big Four[edit]
The Big Four zaibatsu (四大財閥?, shidai zaibatsu) of, in chronological order of founding, Sumitomo, Mitsui, Mitsubishi, and Yasuda are the most significant zaibatsu groups. Two of them, Sumitomo and Mitsui, have roots stemming from the Edo period while Mitsubishi and Yasuda trace their origins to the Meiji Restoration. Throughout Meiji to Showa, the government employed their financial powers and expertise for various endeavors, including tax collection, military procurement and foreign trade.
New zaibatsu[edit]
Beyond the Big Four, consensus is lacking as to which companies can be called zaibatsu, and which cannot. After the Russo-Japanese War, a number of so-called "second-tier" zaibatsu also emerged, mostly as the result of business conglomerations and/or the award of lucrative military contracts. Some more famous second-tier zaibatsu included the Okura, Furukawa, and Nakajima groups, among several others.
The early zaibatsu permitted some public shareholding of some subsidiary companies, but never of the top holding company or key subsidiaries.
The monopolistic business practices by the zaibatsu resulted in a closed circle of companies until Japanese industrial expansion on the Asian mainland (Manchukuo) began in the 1930s, which allowed for the rise of a number of new groups (shinko zaibatsu), including Nissan. These new zaibatsu differed from the traditional zaibatsu only in that they were not controlled by specific families, and not in terms of business practices.
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QMRKōei kyōgi (公営競技, public sports) are public races that people in Japan can gamble on legally. There are four different types of kōei kyōgi: horse racing, bicycle racing, powerboat racing, and asphalt speedway motorcycle racing. They are allowed by special laws and are regulated by local governments or governmental corporations.
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Literature Chapter
Cinema Chapter
On this show IQ squared there is four "experts"
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The "Four Yorkshiremen" sketch has been performed by Monty Python during their live shows, Live at Drury Lane (1974, no video recording available), Live at the Hollywood Bowl (1982) and Monty Python Live (Mostly) (2014, performed at The O₂), each performance varying slightly in its content. The performers in each case were Graham Chapman (replaced by John Cleese in the 2014 performance), Eric Idle, Terry Jones and Michael Palin (Palin is the only member of the group actually from Yorkshire). It was also performed by Cleese, Jones, Palin and Rowan Atkinson for The Secret Policeman's Ball, the 1979 Amnesty International benefit gala.
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QMRThe "Four Yorkshiremen" sketch is a parody of nostalgic conversations about humble beginnings or difficult childhoods. Four Yorkshiremen reminisce about their upbringing, and as the conversation progresses, they try to outdo one another, their accounts of deprived childhoods becoming increasingly absurd.
The sketch was originally written and performed for the 1967 British television comedy series At Last the 1948 Show by the show's four writer-performers: Tim Brooke-Taylor, John Cleese, Graham Chapman and Marty Feldman.[1] [2][3]
Barry Cryer is the wine waiter in the original performance and may have contributed to the writing.
A near derivative of the sketch appears in the BBC Radio show I'm Sorry I'll Read That Again Series 7, Episode 5 on 9 February 1969, in which the cast, John Cleese, Graeme Garden, Tim Brooke-Taylor, Bill Oddie, David Hatch, in the guise of old buffers at a gentlemen's club, employ the same trope of out-doing each other for hardship, this time in the context of how far and how slowly they had to walk to get to various places in former days. It even ends with the same payoff line "...and if you tell that to the young people today, they won't believe you..."
The original performance of the sketch by the four creators is one of the surviving sketches from the programme and can be seen on the At Last the 1948 Show DVD.
Philosophy Chapter
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